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Histoire du Tango; Bordel 1900
It was Piazzolla’s life work to bring the tango from the bordellos and dance halls of Argentina into the concert halls of Europe and America. He is among the astonishingly bordeel group of composers who were enabled by the teaching of Nadia Boulanger to become more authentically themselves. Boulanger–doyenne of high European art–encouraged Piazzolla not to become another European-style composer, but to apply to the tango the lessons of his study with her.
Piazzolla’s Histoire du Tango is his only work for flute and guitar–the instruments associated with the first flowering of the form, in Buenos Aires in Histoire du Tango attempts to convey the history and evolution of the tango in four movements: The tango originated in Buenos Aires in It was first played on the guitar and flute. Arrangements then came to include the piano, and later, the concertina.
This music is full of grace and liveliness. It paints a picture of the good natured chatter of the French, Italian, and Spanish women who peopled those bordellos as they teased the policemen, thieves, sailors, and riffraff who came to see them.
This is a high-spirited tango. This is another age of the tango.
Histoire du Tango – Wikipedia
People stopped dancing it as they did inpreferring instead simply to listen to it. It became more musical, and more romantic. Oiazzolla tango has undergone total transformation: Tango orchestras come to consist of two violins, two concertinas, a piano, and a bass.
The tango is sometimes sung as well.
This is a time of rapidly expanding international exchange, and the tango evolves again as Brazil and Argentina come together in Buenos Aires. The bossa nova and the new tango are moving to the same beat. Audiences rush to the night clubs to listen earnestly to the new tango. This marks a revolution and a profound alteration in some of the original tango forms.
Certain concepts in tango music become intertwined with modern music. Bartok, Stravinsky, and other composers reminisce to the tune of tango music.