The Ascent of Man has ratings and reviews. Joshua Nomen-Mutatio said: It’s said that science will dehumanize people and turn them into numbers. Tim Radford finds Bronowski’s history of humanity, The Ascent of Man – reissued with a foreword by Richard Dawkins – as compelling as ever. With Jacob Bronowski, Joss Ackland, Roy Dotrice, Stefan Bor-Grajewicz. An account of man’s development through his scientific and technological.
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F ame has a mab all of its own, but that does not explain the enduring recognition accorded to Jacob Bronowski. In he was a little-known mathematician who knew a lot about the poet William Blake. Inthanks to brinowski part television series on BBC2, he had become one of the world’s most celebrated intellectuals, and by the late summer of he was dead. The book spun from the television series went on to sell millions.
Now, 38 years later, the BBC has reissued it, with a foreword by Richard Dawkins but otherwise unchanged. In the intervening years, a hundred popularisers, practitioners and science historians have tried to tell much the same story, each time with more up-to-date information and a more acute sense of contemporary awareness. So The Ascent of Man should have a decidedly dated feel. But it doesn’t — wscent, at least, to this reader. It proceeds briskly through what is by now the standard science-oriented western European version bdonowski human history — the Palaeolithic, the dawn of civilisation, the Greeks and the Romans, the Islamic empire, Galileo, Newton, the Industrial Revolution, Mendeleev, Pasteur, Darwin, Einstein and the nuclear age — and it still seems as good as any other history of discovery, and a great deal sharper and more readable than some.
Some of the fluency stems from Bronowski’s greedy enthusiasm for intellectual adventure, including poetry I still have his book William Blake and the Age of Revolution, and felicitously, a new mman monograph from Imprint Academic, The Happy Passion by Antony James, tells us a lot more about Bronowski’s output.
The Ascent of Man
Some of the fluency stems from Bronowski’s decision to put as much of the script for the TV series into the ot as possible. But the enduring freshness stems from something else. Bronowski had a gift for identifying the themes and advances that would seem just as vital 40 years on.
He also had a gift for sentences minted with precision, and Dawkins picks out two of them in his foreword: The most powerful drive in the ascent of man is pleasure in his own skill. That is more than just an example of the Bronowski way with words.
It is an illustration of his ability to stand just slightly off-centre, to see the unexpected in the familiar, and select imagery that has life, action, movement. He identifies the keen edge of a stone blade, the baked bricks of Sumer, the marble of Greece and the stone arches of Rome, as evidence of human exploration of the visible structure of matter. This same attitude helps him demonstrate that the hit-and-miss handiwork of the Bronze Age, the intricate craftsmanship of Samurai swordsmiths, and the not-quite-futile endeavours of the medieval alchemists, were all tentative explorations of the invisible nature of matter.
Geometry, and Brohowski and Islamic experiments in mathematics, began to expose the importance of shape, distance, perspective and to reveal a vision of the universe “not as a series of static frames but as a moving process”. Ultimately, his journey leads him “through the gateway of the atom There is a new pf here, a way that things are put together which we cannot know: And the Bronowski imagination dances on, leading us to new insights: Every carbon atom in every living creature has been formed by such a wildly improbable collision.
The Ascent of Man by Jacob Bronowski – review
These are sentences formed by a mind that can compose imagery, and then select exactly the right words to represent the image. The additional puzzle is that he can express them so flawlessly in a language that, until he was 12, he had never heard.
The book, of course, is in one obvious sense out of date: Inthe last Apollo astronauts had just left the moon, molecular biology had barely begun, computing was something cumbrous involving small memories and whirring tapes, and neuroscience was still stuck in its own Dark Age. But in vronowski sense, The Ascent of Man is as compelling as ever.
The brain, he understands, is not just an instrument for action. It is an instrument bdonowski preparation; it both drives the human hand and is driven by it; it is an instrument wired to learn, control speech, plan and make decisions. In the course of the last chapter, he reminds us that from the printed book comes “the democracy of the intellect” and that humans are primarily ethical creatures.
These are the words of a man who studied the devastation of Nagasaki. All our science, all our yhe, is for something. Knowledge is our destiny. It is a book about why science matters, and what it really tells us. That is not a message likely to go out of date in a few decades.
The Ascent of Man by Jacob Bronowski
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